Has Disney Finally Angered White Women?

The Snow Brown Saga

Women are agreeable and prefer peace to conflict. But without conflict, not all problems can be solved. And that’s why there are men. One such hard-to-solve conflict conflict arose when Woke Censors started perverting traditional white culture, from opera to art and cinema, into sheer degenerate atrocities.

White women, in particular, have allowed the Woke Brigades to turn Ariel into an African mermaid, and Cleopatra into a Negroe queen. So far, without even flinching. But social media learns us that turning a dainty, humble, and kind Snow White into a loud-mouthed feminist Kween may have been the spark in the powderkeg that will drive white women into the hands of the right-wing movement.

Rachel Zegler is playing Snow White, and her Columbian-Polish ancestry was presumably supposed to appeal to both Latin and European audiences. It actually appeals to neither, as even women of color scoff at the thought of a mixed-race Snow Brown (or rather, Sand Brown). Likewise, the German-Nigerian actress who played a black Cleopatra also didn’t appeal to any audience other than afrocentric racists trying to claim ancient Egypt as their own (leaving us wondering when they are going to build West Africa?).

To this day, the original 1937 Disney classic Snow White and the Seven Dwarves has inspired generations of women. Millennial women grew up watching the VHS version with grandma on many Sunday mornings, and if VHS is out of fashion, the Pirate Bay still supplies kids around the world with access to this great film.

The film’s message to girls is clear but traditional: be feminine, cook, clean, and one day you’ll win yourself a prince. What feminists now condemn as “patriarchal” was really an inclusive message: since every woman can cook and clean, any woman can win her prince.

And that’s where the new trouble starts. When 22-year-old Zegler in her many interviews openly started taking a crap on white people’s culture, calling the prince a “stalker” and saying the new Snow White doesn’t need “true love” but should rather be a boss bitch, we have a recipe for a cultural disaster.

What is really happening, of course, is the emergence of the Negroe matriarchy as a competitor to the mythical “white patriarchy”. Among many African peoples, the women rule the society (despite being headed by an “alpha king”, who really has no say in important matters). The black matriarchy is trying to win dominance by driving out traditional white culture, and replacing kindness with obnoxious loudness.

White women are, however, as the social media platforms prove every day, finally revolting. In fact, they are fuming. Their entire cultural identity has been grounded in the good-housewife myth, and that myth is now being spat on by cultural foreigners. Women aren’t taking this lightly, and not just because the new Snow White includes, besides a transgender, though fully-grown “dwarf”, a tendency for a love affair with the Evil Queen.

Indeed, who wouldn’t want to live in a kingdom ruled by a lesbian couple who hate men? The thing that really rattles white women, of course, is that the scenes with the prince will likely be cut from the film.

And without a prince, there can be no happy ending. The revolt of the white women has only just begun.